A Big Cross


The Fort Jefferson Memorial Cross in Kentucky

There’s a big cross a few miles below the lost town of Cairo, Illinois, down where the Ohio and Mississippi rivers run together. This white cross stands on a Kentucky bluff along the river’s edge, soaring above the treetops. A thin gravel path off Highway 51 leads to the foot of the cross and, after being on the road for several weeks and speaking at my grandfather’s funeral a few days before, I pulled over to collect my thoughts. Somebody believed this was a good spot to get spiritual.

Mrs. Geveden thought so. In 1937, she erected a small wood cross on the riverbank as a beacon, perhaps as a gentle warning to heathen sailors traveling the Mississippi. Over the years, the Fort Jefferson Cross grew in size and ambition, thanks to the efforts of several citizens, including a woman who was terminally ill at the time. The cross eventually reached 95 feet and consumed $316,405 in church donations. Although it’s visible from three states, the Fort Jefferson Cross is not the biggest cross in the world (that honor belongs to a 198 foot cross in Effingham, Illinois) but it really pops against the green trees and brown river. It’s the only manmade thing in sight and today it’s a popular site for weddings, vigils, and tourists.

Walking around the base of the cross, I half-expected a religious vision, maybe a sense of preternatural calm or more likely, an accusation that I did not belong here. But there was only the sound of the Mississippi and the distant engine of the occasional car. The little path looped behind a cluster of trees before cresting down to the river. Beer bottles and crushed cigarette packs dotted the grass. This was a great place to hide from the world. How many people came here to get stoned or laid rather than saved?

Laying in the grass, I thought about all the monuments to Jesus that I saw along America’s roads, the brimstone billboards and clever chapel signs. Heading down the wrong path? Jesus allows u-turns. It was love that held Jesus to the cross, not nails. Today’s forecast: Jesus reigns forever. All those little Jesus fish in the windows of restaurants and motels. Strange codes. Relentless tribalism. Driving home, I became convinced that the telephone poles were subliminal crosses.

I live in a nation where presidential candidates make fun of the poor and attack the unhealthy while trumpeting their Christian faith. Big crowds cheer them on. I looked up at that tall white cross and I wanted to tear it down. I imagined myself feeding scraps of plaster to the Missisissipi while I waited for the police to arrive.

A few weeks later, I thought hard about my own faith while undergoing a series of X-rays and MRIs that might uncover a horrifying illness. Instead, the scans revealed that I have degenerative disc disease between C5-C6 and C6-C7 with hypertrophic spondylosis and moderate to severe range bilateral foraminal stenosis. Each morning I read this diagnosis while I do my stretches and neck exercises, my cervical sidebends and Theraband rows. Next week I begin physical therapy.

I stare at prescription sheets for sertraline hydrochloride and benzodiazepines and anti-inflammatory pills. Perhaps medication is the obvious conclusion after years of driving, worrying, and reading the internet all day. The personal and the public have collapsed for me. Sometimes I scroll through the day’s headlines and it feels like the end of days. I question my loyalties and capabilities. If the nation exploded into war, would I fight? If a disaster struck my city, would I survive? Could I protect the ones I love from the heat of a mob?

On the radio, Arthur Lee sings from 1967: “You’re just a thought that someone somewhere thought should be here.” Pills frighten me. The promise of better living through science seems too wonderful, too easy. I stash the scribbled prescription sheets in a desk drawer. Maybe later. Maybe tomorrow. For now, I’ll focus on stretching and eating more green things. Perhaps I’ll teach myself to meditate.

Yesterday I had an ultrasound on my neck. My doctor wanted to look at my thyroid. The MRI report said there’s a “nonspecific heterogeneous complex mass-like zone of signal alteration measuring up to 2 cm” so I laid back on the paper-covered bench and marvelled at this machine that can see inside of me. The grain of muscle, the black holes of my carotid artery and trachea. Little dots and bubbles occasionally swam across the screen. The lab technician located the small lump, applied more gel, and snapped more photos.

I comforted myself with the numbers. Math was on my side. Nearly 99% of thyroid growths are benign. Of those that are cancerous, nearly 75% of patients are still alive ten years after initial diagnosis. There is, however, an extremely rare form of thyroid cancer that leaves most patients dead within months. Of course my attention settled here.

What I would do if I was diagnosed with something terminal? I’d probably start smoking again. It would be my reward, my only consolation. Maybe I’d toss some books in a bag and walk south to Ushuaia at the end of Tierra del Fuego and disappear into the sea. But first I’d work hard to finish this next book, this novel I’m writing about an old man hitchhiking on Route 90 from El Paso to Death Valley. Disease or no, I should work harder and faster.

That big Kentucky cross flashed across my mind. Now I understand the need to build a monument to something you believe in before you go.

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The Byrds – Jesus Is Just Alright
from The Ballad of Easy Rider. Columbia, 1969 | buy mp3s | buy vinyl

Shipping

Sometimes I imagine Amazon.com’s mysterious warehouse in the center of the earth and I shiver. An endless overheated concrete room filled with boxes, fluorescent tubes, conveyor belts, and no windows or joy. So now I’m selling my book directly through Civic Center. Each signed copy comes with a photograph mounted to a linen notecard, a handsome receipt, and a couple of Big American Night stickers. In fact, the book is really just an elaborate sticker delivery device. Order yours today.

The people at Photo Life wrote this very generous review, which might sweeten the pot:

Unpretentious and insightful, James A. Reeves’s The Road to Somewhere is a photo memoir of his journey driving all over the United States. Through his photographs and candid, episodic storytelling, Reeves documents his experiences and the people he encounters in various regions of the United States, reflecting with uncommon honesty on both positive and negative aspects of the culture. Reeves’s obsession with driving long distances in rental cars is fuelled by his search to figure out what it means to be an adult and to live a meaningful life in a complicated world. His unique point of view clearly comes through in both his writing and images: quirky, beautiful, disturbing, humorous, and at times unexpectedly and achingly moving.

More book info here.

Mix No. 16: Blue Motor Lodge

I remember racing against the sun to reach the Badlands before nightfall but I didn’t make it because I kept pulling over to photograph rusty gas stations and lonely motels in towns with names like Alliance and Interior. When I finally arrived at the edge of South Dakota, the bluffs and spires lay out there unseen, crouching in the dark. In a bright motel lobby, a little radio behind bulletproof glass played the American hit parade. That night I dreamt of Natalie Wood on an endless loop, leaping and yelling “Hit your lights” on the edge of a cliff, her arms swinging through the headlights again and again.

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James A. Reeves – Blue Motor Lodge

Here are two pitched-down dub 45s that meander through a field of mid-century blues and ballads, paired with big sheets of reverb, vinyl crackle, moments of silence, and five variations on the idea of a blue moon. Best served in headphones after dark.

01. A Rocket in Dub – Rocket #8 on 33⅓
02. Betty Lavette – Let Me Down Easy
03. Don Percival – One More Kiss
04. Roy Orbison – Crying
05. Dave “Diddle” Day – Blue Moon Baby
06. Pole – Fahren on 33⅓
07. The Cascades – Rhythm of the Rain
08. Françoise Hardy – Voilà
09. Dirty Beaches – Lord Knows Best
10. The Ronettes – Keep On Dancin’
11. Dirty Beaches – True Blue
12. Oscar Peterson – Blue Moon
13. Elvis – Blue Moon in Kentucky
14. Santo & Johnny – Blue Moon
15. Dean Martin – Blue Moon
16. Big American Loop #3

Happy Holidays


James Brown performs for American troops during the Vietnam War. June, 1968. Photo by Christian Simonpietri/Sygma/Corbis

“I ain’t talkin’ just to tease. People like you don’t grow on trees. Look here, this is what’s gonna be. I have everything I need around my soulful Christmas tree. Merry Christmas. Happy New Year. I love you. Have good cheer. I love you. Good God. Got my baby, my precious love. Happiness. Good God. Huh. I got plenty of it. Would you believe I got peace of mind? And I’ll be grooving at Christmastime. Merry Christmas. Happy New Year. May you have good cheer. I love you. James Brown loves you, you lucky so and so. Oh. Ow. Soulful Christmas like a sweet melody. I’m a lucky so and so. The bells are gonna ring for me. Merry Christmas and a happy New Year. To all of my fans, have good cheer. I love you, I love you. Won’t take nobody else. I can’t stand myself. Huh. Good God. I gotta heart full of love for the whole wide world and a little special love for my soulful girl. I get this feelin’ every night and then I gotta get ready to bring the New Year in.”

—James Brown, 1968

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James Brown – Soulful Christmas
from Funky Christmas. Polydor, 1968 | buy mp3s


James Brown backstage and on the stage in Vietnam. June, 1968. Photos by Christian Simonpietri/Sygma/Corbis

2011 Top Ranking

This was the year of beautiful music that brought me back home to the joy of collecting vinyl. This was a year of stately library music, motorik night-driving soundtracks, nostalgic lo-fi Americana, and existentially horrifying bass tones. No matter the genre, something was in the air this year: everybody seemed to keep their reverb pedals cranked to eleven, making moody songs that crept through the walls. Just look at all these black-and-white album covers. It was a very good year. Here are my eleven favorite records for 2011, in no particular order.

A Winged Victory for the Sullen
Kranky | vinyl | mp3s
Inspired by a beheaded statue of Nike, the goddess of victory, this project provided my soundtrack for early morning writing and picking up the pieces after midnight. Song titles like “We Played Some Open Chords and Rejoiced, for the Earth Had Circled the Sun Yet Another Year” and “Steep Hills of Vicodin Tears” sum up this perfect set of dignified classical drift. Check this simple and beautiful video.

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A Winged Victory for the Sullen – Requiem for the Static King, Part Two

Andy Stott – Passed Me By
Modern Love | vinyl
It’s difficult to say I like this album because it scares the hell out of me. I first listened to it while running along a cold beach at dusk. When “Execution” popped into my headphones, I stood frozen, staring at the ocean as it came crashing down on the black rocks, looping mindlessly and forever as Stott’s glacial bass tones thrummed in my head. Nature suddenly felt sinister and destructive. I shuddered, as if I’d peeked behind a curtain and glimpsed an honest and frightening truth. I kept running. Music with such a physical effect is rare.

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Andy Stott – Execution

Clams Casino – Instrumentals
Type | vinyl
Here are ten instrumental hip-hop tracks designed for rappers like Lil B and Soulja Boy, built from pitched-down YouTube samples on a busted PC by a producer named after an appetizer with clams, bacon, and breadcrumbs. And somehow it’s one of the most emotionally vivid experiences I’ve heard all year. This is widescreen music with howling delays, sentimental pianos, and big-hearted hooks that immediately feel like comfortable classics.

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Clams Casino – What You Doin’?

Leyland Kirby – Eager to Tear Apart the Stars
History Always Favours the Winners | mp3s | vinyl
Pair this record with An Empty Bliss Beyond This World, Kirby’s album under his Caretaker alias. Bliss draws on old ballroom ’78s for source material while Eager contains original compositions, and sometimes it’s difficult to tell the two releases apart. Kirby plumbs deep into nostalgia, memory, and melancholy. Dust motes suspended in sunlight. Old men in libraries. Hushed ballrooms where time has disappeared. Elegant melodies etched with crackles and decay, like field recordings from an old almanac. The song below might be the most beautiful piece of music I’ve heard in years.

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Leyland Kirby – They Are All Dead, There Are No Skip At All

Rangers – Pan Am Stories
Not Not Fun | vinyl
Layer upon layer of blurry guitars, spiraling distortion, and wide streaks of feedback lacquered in reverb. Imaginary anthems from some sun-kissed golden age of American rock ‘n roll, this is a warm Kodachrome album that perpetually sounds like you’re speeding past the window of a pick-up truck blasting a classic rock station on a wide open Nebraska highway circa 1971.

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Rangers – Conversations On The Jet Stream

Deepchord – Hash Bar Loops
Soma | mp3
Low key dub techno wrapped in tape hiss and buried melodies. A muffled throb, a metallic clang that traces out a faint chorus somewhere off to the left. A reliable soundtrack for late nights, rainy streets, blinking neon, and glowing screens. This is endless background music in the best possible way.

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Deepchord – Tangier

HTRK – Work (Work, Work)
Ghostly | vinyl/mp3
Druggy percussion that drags along the bottom of your headphones, wrapped in threads of guitar, sheets of reverb, and dead-eyed vocals searching for love or at least a little bit of light. You can hear the Suicide spike and Slowdive atmosphere grinding down into modern fatigue. The sound of several decades collapsing at once.

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HTRK – Synthetik

Belong – Common Era
Kranky | mp3 | vinyl
Monumental reverb-ballads from New Orleans that are designed for moving through the streets in the middle of the night. Headlights on the I-10 overpass, the Mississippi Bridge sparkling in the distance while you glide over empty diners in the business district. Walking across the back of the Quarter at one in the morning, nodding at shadows gathered on dark porches beneath the glowing pink haze. This is Psychocandy stretched into the new century and wrapped in city heat and Gulf coast humidity. This is how my city should sound.

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Belong – A Walk

Tropic of Cancer – Sorrow of Two Blooms
Blackest Ever Black | mp3
Everything on the Blackest Ever Black imprint should be on every single ‘best of’ list. Among so many top-shelf releases, Tropic of Cancer delivered three tracks that sound exactly like the word ‘midnight’. Matte black on matte black drums merge with death-bound basslines that shoot through submerged vocals whose words no longer matter. This is mood music.

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Tropic of Cancer – A Color

Grouper – Alien Observer/Dream Loss
Yellow Electric | mp3
I’ve lost count of how many times I’ve fallen asleep with this album playing. I can’t say it delivers good dreams, because there’s something unsettling at the edges, like listening to someone having a quiet breakdown in the next room while another neighbor plays the guitar. This is muted and elusive music with plenty of breathing room that transforms the acoustics of your motel room into a showroom for fundamental emotions that fade in and out of focus.

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Grouper – A Lie

Dirty Beaches – Badlands
Zoo Music | vinyl
One of those rare records that grabs you by the throat on the first listen and says listen to me again and again. After driving 75,000 miles through America, this is the music I’ve been waiting to hear: ballads by The Ronettes and Françoise Hardy reworked into dangerous karaoke. Flat AM radio drums and desert twang circa 1961 reverberating across fifty years where they’ve been looped into a vivid soundtrack for speeding down an empty highway and believing you’re in an exciting movie.

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Dirty Beaches – Lord Knows Best

Sunday Records

Spent the afternoon at the record store, flipping through crates of musty cardboard sleeves while listening to the guys behind the counter argue about T-Bone Walker. Visiting the record store is like returning to a comfortable old memory. The dusty sunlight, the antique smell, the faded colors of the memorabilia pinned to the walls: it’s like walking into a shoebox of old photographs.

I’ve got store credit these days. Each week I exchange a stack of techno 12″s for a few classic long-players. Last week I picked up Spiritualized, Silver Apples, and Charlie Parker. Today I found a box of old 10″ Columbia jazz records in beautiful time-stained sleeves that say “Long playing microgroove record!” and “Unbreakable!” Swinging mid-century typography with sans-serif names like Chet Baker, Mildred Bailey, Lester Young, and Lionel Hampton. These are records that make me want to stay up late with a cigarette. I picked out two Billie Holiday records: Billie Holiday Sings and Teddy Wilson & His Orchestra featuring Billie Holiday.

Strange, listening to that voice through the filter of seventy-five years of America pop culture, a voice trapped in Woody Allen movies and PBS documentaries, a familiar shorthand for smoke-filled lounges and doomed genius. A few years after these recordings, Holiday’s apartment was raided for drugs and she went to court. “The case was called The United States of America versus Billie Holiday, and that’s just the way it felt,” she said. I flipped the record and considered how this object arrived at Columbia’s distribution warehouse in 1949 and this very record might have spent some time on Holiday’s shelf. An artifact. A marker of a specific moment and all the history that’s about to come.

Preserving vinyl is a quality of life issue. The simple gesture of pulling a record from its sleeve and blowing off the dust. The unique personality of the looping crackle at the end of each record, like a fingerprint. These are sensations that you won’t find while locked in a staring contest with a glowing screen. I listened to “Easy Living” and thought about aesthetics and nostalgia, and wondered what it meant to be nostalgic for aesthetics.

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Billie Holiday & Teddy Wilson – Easy Living
1937, Columbia

Diagnosis

I had strange weather in my head. Magnificent headaches and fast zaps, like I was being yanked someplace dark. At first I thought this marked the high-powered return of my old friend, the panic attack. Then my neck and shoulder began throbbing and burning. My fingers twitched. My head tingled.

If you type “tingling head” into the internet, it only takes two clicks before you’re reading about brain tumors, aneurysms, and meningitis. Or maybe you’re imagining the pain. A shock-like headache can also be a symptom of anxiety, which is a reasonable response if you’re reading about tumors, aneurysms, and other frightening diseases. Amazing, the psychosomatic power of language. If I see the words “tingling in the head,” I can’t help but feel it. Once the mind begins obsessively monitoring the body, all objectivity is lost. You enter a terrible hall of mirrors. Every twitch and tremor is loaded with mortal intonations.

I self-diagnosed. I worried. I took online quizzes.

My ears began making a high-pitched whine like an old television set. This is called tinnitus. Sometimes I tuned the sound to the frequencies of computer monitors and lightbulbs, swaying my head as the electric hum of fluorescent beams sang a duet with the buzzing in my ears. I conducted ambient soundtracks in my head and took more online quizzes. Do you have an unusual sensation in your fingertips? Do you sometimes feel emotionless? Do you have difficulty finding the right words?

When my right arm went numb, I went to the doctor and discovered the stigma of living without health insurance. The receptionists shrugged at each other, unsure of what to do with me. “He’s a self-pay,” they whispered. I sat in the waiting room and filled out stacks of paperwork that released everybody from all liability. I flipped through old People magazines and wondered what was wrong with the people on either side of me.

The doctor said there was fluid in my ears and possibly a pinched nerve in my neck. “We don’t practice medicine anymore,” my doctor said. “We practice health insurance. We can only do what the paperwork tells us to do.” She armed me with a sheaf of prescriptions and sent me uptown for an x-ray and then across town for blood work. The nurses were on their lunch hour, chatting and playing with their phones. I sat in a vinyl chair and watched soap operas on an old Zenith mounted in the corner.

Two days later, a dreadful voicemail: “Mr. Reeves, your test results are back. Please call us as soon as possible.” I sat on the curb of a busy street and prepared for the worst. But how do you prepare? I looked at the sky, took a deep breath, and dialed. A nurse told me that my x-rays showed degenerative disc disease at C5 and C6, and possibly C7.

Now my spine had coördinates. That night I spent hours scrolling through healthcare forums, following endless threads filled with frightened people in varying degrees of existential crisis. I’d been pushed into the strange frontier that everybody visits sooner or later: The war against the body. The war against time. The contrast had been boosted. The world felt extra vivid and time felt short. I sat in waiting rooms filled with worried people in pain, feeling like we were on a team.

While I waited for the orthopedic surgeon, a nurse asked me to draw my pain. She gave me a piece of paper with an outline of the human body and a legend: Make dashes for burning pain. Zeroes for numbness. Xs for stabbing pain. Dots for tingling. I could no longer tell the difference between tingling and numbness, so I scribbled all over the cartoon man’s head and back.

The doctor came in, a red-faced man in a hurry. “You have arthritis,” he said, “but we’ll give you some pain medication, schedule an MRI, assign some PT, and I’ll see you in a month.” He handed me an old pamphlet that said Exercises for Your Neck, Volume 2. Inside, people from the 1970s stretched and posed in various states of traction. The doctor moved for the door but I told him to stop. Come back here. The anger in my voice surprised me. It surprised him, too. I’m paying good money for your time, I said. Cash. Give me some answers.

What does PT mean? Physical therapy.
What do I have, exactly? Cervical spondylosis.
Spell that.
Is this permanent? Yes.
Will I always feel pain? Probably.
Is my spine causing the ringing in my ear? No, see an ENT specialist.
What’s that? Ear, nose, and throat doctor. Are you done now? Any more questions?

An MRI feels like a bad science fiction movie. They strapped me to a plank and slid me beneath a giant grey column of machinery that hovered two inches above my nose. Industrial sounds popped and sparked in my ears while the doctor flipped switches from a control booth. A voice on the PA said, “Please do not swallow for the next twelve minutes.” I swallowed. A lot. I couldn’t hold still. Eventually, the voice on the PA told me to reschedule.

An MRI scan without contrast dye costs $1675, but if you pay cash upfront, it’s only $450. These prices illustrate the problem with American health care. People can’t afford health care because we no longer pay for the real cost of things anymore. Every procedure is inflated due to insurance companies. Nobody should profit from another’s illness. I also discovered that simply mumbling the words “pain” and/or “anxiety” in a doctor’s office will earn you prescriptions for heavy-duty pills. Each doctor I met seemed eager to write prescriptions for me, despite my protests. I suddenly have eight different pill bottles in my medicine cabinet, most of which I’ll probably sell to help pay for my MRI.

Arthritis and tinnitus at the age of 34 seems a bit sudden, but compared to the other possibilities, I feel very lucky. Hopefully I’ll sit still for my MRI next week and find a better doctor to explain the results to me.

Value your health. Appreciate your senses. And pay attention to your posture.

Spiritualized – Medication
from Pure Phase. Dedicated, 1995 | buy mp3s

Saturday Night Song


View of Los Angeles from Mulholland Drive.

Sometimes we’re hit with the urge to write a sentence or make a sound that captures everything at once, the traffic lights and grand dramas playing across the city tonight, the thousands of bulbs over kitchen tables, the drowsy voice on the taxi radio saying there’s light rain at the airport and temperatures will be holding steady throughout the evening. Women putting on eyeliner in mirrors, the way they pull open their eyes and look so serious. “Another dead satellite will fall to Earth this weekend,” says a television in the other room. Rain on the streets, silhouettes sitting at windows, freighters on the dark ocean, and all those other purple Saturday night feelings. Sometimes you’re idling at an intersection or sitting on the edge of your bed and you want to capture the whole thing. Here’s a good song for this impulse, although it’s in Finnish and I don’t understand a word of it.

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Paavoharju – Aamuauringon Tuntuinen
from Yhä Hämärää. Fonal, 2005 | buy mp3s
“Created by a band of born-again Christians in rural Finland, sung in Finnish and with a title that translated means ‘Continuously Dark’…” More at Boomkat.

Retail Creep


An empty storefront in an old downtown.

When my father called my grandfather at the retirement home, there was often confusion.

“Why are you calling so late?”
“The store doesn’t close until ten, Dad. I just got home”

Both men spent their careers working in retail, but the game had changed. When my grandfather worked at Sears in the 1960s, stores were open five days a week, ten to six, with special evening hours on Wednesday. Today most big box stores keep their doors open seven days a week for twelve or thirteen hours at a stretch. During the holidays, they might open at five in the morning and close at midnight. Sometimes they stay open all the time.

“But they pay you overtime for working that late, don’t they?”
“No.”

Imagine if in 1965 a company announced that starting tomorrow, most full-time positions would be replaced with part-time shifts paid at a reduced hourly wage. Imagine if the store also announced that it was busting its unions, staying open on holidays, slashing retirement benefits, and forcing its remaining full-time employees to pay more for less health coverage, all while exponentially increasing the salaries of its top management, most of whom will now operate out of a remote office in Delaware where they will manage a variety of unrelated companies and spectral investments. There’d probably be a riot. But these changes happened in drips and drabs and these days we’re accustomed to working harder for less. And this is why every time my father called his father, he would remind him why he woke up at five in the morning and sometimes did not get home until eleven at night.

An excerpt from The Road to Somewhere (W.W. Norton, 2011), my big book about driving through America.

Long Night


Somewhere in Missouri.

America should spend these long autumn nights doing some serious soul-searching. Put on some gentle music. Brew a pot of tea. Light a candle. Think about being a nicer nation.

No longer referring to people as “aliens” in our legal documents would be a good step forward. While we’re at it, let’s bury the phrase “Homeland Security” somewhere in the yard. Nothing good can come from printing such paranoid words on a letterhead. Why do we want to keep people out? So they won’t take advantage of our generous health care system or successful public schools? More than ever, this country needs new people. New ideas. New demands. New demographics. Imagine if America threw back its shoulders, waved a friendly arm in the air and said to the world, “Come on over! Let’s make better cities and trade new things!” Instead, there’s talk of electrifying our fences.

We are governed by a unique mixture of the timid, the negligent, and the cruel. Talking points. Minute-by-minute poll numbers. Corporate drones who no longer show any flicker of humanity, who are so dead inside they can no longer perform the most rudimentary duties of governance. Many of us are fed up, some of us are making some noise, and it’s a beautiful thing.

Imagine having a President who thoughtfully responds to the unprecedented outcry of hundreds of thousands of his citizens, many of whom are angry and frightened. You can almost see him sitting at his big desk with the flag behind him, arms carefully folded and looking hard into the camera with a knitted brow that indicates his resolve. “I’ve heard your concerns and I share them,” he’d say. “Now here’s what we’re going to do about it…” And he’d have a plan. Or at least some empathy. He would acknowledge us. Instead, we hear only silence. And as the hour grows late, I’ll settle for a President who simply tells us that he will not tolerate having his citizens punched, dragged, pepper-sprayed, and locked-up by the State because they are unhappy.

I hope America stays up all night with these thoughts, pacing the floor and making promises to be a kinder nation. Here’s a good song for that kind of late night soul-searching:

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Rameses III – The Kindness In Letting Go
from I Could Not Love You More. Type, 2009 | buy mp3s
Stately ambiance from the other side of the ocean.